Showing posts with label artist interviews. Show all posts
Showing posts with label artist interviews. Show all posts

May 02, 2011

Meet Emily Marie Cox: Spring is in the Air


Emily in her studio

1. Where do you live and does that influence your work at all?


Right now I am on the cusp of some major life changes and am playing the part of a gypsy as I get ready for those events. I just moved from Brooklyn and am currently working out the details of my next move. For the last few months, I have split my time between my childhood home in Wisconsin, visiting my fiance in Austin and revisiting my recent past back in NYC. When I was living in New York, I was very inspired by all the diverse characters walking down the street or sitting on the subway. Now that I spend most ofmy time in a rural environment, I relish in the quiet, natural beauty around me. It has been a pleasure to watch spring arrive this year.


2. We had some of your work before in our Deep South show - these pieces are quite different, yet quite related - can you tell us about the journey to the new work?


At the time of Deep South, I had just graduated from college with a degree in Fibers. My work at that time was very sculptural. Living in a small space in New York, I wasn't able to do as much 3-D work and my work began to transition into 2-D, a much more apartment friendly way to work. My work has forever been very figurative and illustrative. It keeps chasing me! In the past couple years, I have stopped denying it and let the drawings take over me.

2.b Tell us about what Spring means to you.


You will have to come to the show to find out!



3. What is a perfect day for you?


A day devoid of time.


4. Desert island scenerio: one art material to use, one dessert to eat , one band to listen to (over and over!) - which would they be?


6B graphite pencil. 70% Dark Chocolate. The Byrds.


5. Do you have a practice or ritual in making art?


I don't have a specific ritual but I make sure my mind is in a place it needs to be according to the kind of art I am creating. For this show, I created it at the end of winter so I could really feel what it was like to emerge into spring. I also listened to a lot of happy music and I wore the same outfit every time I went to work on it in the studio.

6. Have you stayed in touch with like thinking class mates from college - and have you collaborated?


The most valuable thing my education gave me was the people I met. We have all remained very close and often remind each other about how fortunate we are to have met such kindred spirits. I have collaborated with many of them. My most exciting collaboration is on the brink of unveiling. Stay tuned to pocketteloves.tumblr.com to learn more soon!


7. What is your one wish for your art?


I wish for my art to speak to many so I can forever continue to support myself with it.


Thank you so much Emily for this interview and a peek into your artful life!

The show opens Tuesday during regular gallery hours - but a formal opening will be held Saturday May 7th from 10 a.m. to 4 p.m. All work will be available online on Tuesday May 2nd at our shop.


--

November 15, 2010

Jerseymaids: Interview!

Today I wanted to bring to you an interview with Lauren Beacham from Jersymaids one of our newest lines of jewelry here at artstream. So read on to learn more about Lauren and her beautiful work and successful business!

Q:Tell us about your younger years relating to art ...

As a child I was in the indefinite mode of imagination and creativity.

Constantly drawing, painting, sculpting with clay, participating in the local

theater, I even had a knack for puppet shows! Art was a big part of my life in

all shapes and forms. My parents also made it a point to take me to museums,

plays, sign me up for classes involving the arts and really encourage that part

of my personality. I owe a lot to them for allowing me to pursue my passions

with no reservations.

Q:How did you decide to work full time on your art?

After college, where I received my Bachelor's degree in Fine Art

Photography, I had an abundance of prints from projects and my own experiments.

I decided to open up an online shop to try and clean house a bit. After I sold

my first piece, it was a mad addiction. Since that first sale, I have

transformed my images beyond the realm of 2D prints and created a large line of

functional art such as clocks, lamps, jewelry, cards, and other unique gifts

based exclusively on my Polaroids. The shop took off within just a few months

of opening and it's been on the steady uphill growth ever since. I still get a

rush with every sale, with every happy customer, with every crafty relationship

I get to form in this wonderful handmade life!

Q: What is the soundtrack playing behind your work?

My soundtrack is on constant shuffle. Throw in a little modern folk with

some old classics, a few dance-ables, a dash of 80s and 90s and that's a good

start! My music is easy to listen to, makes you feel good, and you always know

the words. I try to make my work reflect the same - easy to enjoy, fun,

colorful and dream-like with some hints to the old vintage classics we will

always love.

Q:What are your three favorite things in the world?

I don't know if I could sum it up in just three! But I would say the

people/animals I love, my music and my Polaroid camera equipment. I can't

imagine life being complete without them.


Q: What sort of advise would you give to someone starting out in your field?

Go with your gut. In this fast-paced digital world, I knew in my heart that

my place was with analogue photography. People think I'm crazy and if I had a

dime for everytime I heard "where on earth do you find the film?" or "it's so

expensive, I don't know how you can do it!" or "isn't there a Photoshop filter

that does that?" I would be a rich lady indeed. The thing is, there is nothing

quite like film out there. The way it captures light, the dreamy images, the

unexpected mistakes that become miracles, the anticipation, and the awe I always

feel of watching that image appear out of nowhere right in the palm of your hand

- waiting for what feels like ages for that old-school "instant" gratification.

It tries your patience, it pushes you to new limits, it makes you truly think

about what you're about to do. And most importantly, it still feels like

magic. I knew in my gut this is where I belonged and it's taken me farther than

I ever dreamed...and I know this is only the beginning.


Thank you so much Lauren for taking the time to do this interview! Lauren also does custom work with your images as commissions. Please contact us if you would like something special for your wedding (think bridesmaid gifts, groomsman gifts, etc!)

March 24, 2010

Alena Hennessy :: artist interview






On the heels of the last interview, I am happy to introduce Alena Hennessy to the Artist Inteview section of this blog. Alena is one of the three women who are part of our beautiful "Seasonal Travel" exhibition. We have shown Alena's work before and were so pleased that she would be part of this beautiful tribute to springtime. All images are from Alena Hennessy.

1. What is your earliest memory of art making?
Sitting at my Grandmother's house, drawing imaginary worlds for hours. She was a school teacher so she would give me a stack of handouts and I would draw on the back them until the pile was gone.

2. What is your medium of choice? (s)

Acrylics, watercolor pencil, pen, ink, sometimes thread, resin....

3. What are your greatest inspirations for your work?
around Alena's home and studio in NC
Nature and all the creatures within it.

4. Who was the most influential person in your early art career?

Portland, OR. Well, I guess that is not a person but a lot of the artists that lived there who found ways to make a living with their creative work.

5. What is a good art making day look like for you?

Waking up early, enjoying some tea and breakfast, then its to the studio, spending several hours drawing, painting and designing. Or perhaps ending the evening with a night spent of solid art making.

6. Who are your favorite artists - living and dead

I like Rachel Solomon's work a lot. The most powerful painting I saw in person was Henri Rousseau's "The Dream". His work astounded me with its raw beauty. Andy Goldsworthy is my all time favorite however.

7. Words of wisdom that you would like to pass along?

"Everyday is a gift" (along with) "This too shall pass".

8. What art do you find really exciting right now?

Anything eco friendly or green!

9. Where do you see yourself with your art 5 years from now?

Continuing to do what I am doing now, perhaps along with teaching, writing and travel. I would love to write a book about the creative process or an illustrated story.

10. Tell us a little about the process of your art.

It's an intuitive approach. I allow my hand to move as it wants, express the beauty of forms and lines I admire, and go from there. Sometimes there is a narrative or theme I would like to express. So I start with a pencil sketch and then begin adding color, layers of paint and so on.

Thank you so much Alena for being part of our Artist Series and part of our gallery!

Claire Platt of Calm Air All Ice



Good Morning! Today I wanted to start with some artists interviews to bring you a little closer to the minds behind the new exhibition at Room 212 in Bristol, UK called "52". I have four pieces which will be in the exhibit and am so proud to be in the company of the other 51 artists and the two master minds: Claire Platt and Camilla Stacey. They have a blog for Calm Air All Ice which houses some of the artists interviews, so you should also pop over there
Now, without further ado - here are Claire's answers to my questions!
All photos of Claire Platt's work were provided by Claire Platt. Enjoy!
1.What brought you and Camilla together?

When I first moved to Bristol, I found out there was a knitting group in Bristol so I sent the organiser (one Camilla Stacey) and email and following that I went along to the stitch and bitch group at the Here shop/gallery! (psst. Camilla also co-founded Here) I also did a craft fair (or two? I can’t remember) and took part in the Knit One, Build One exhibition. So knitting brought us together! Yay!


2. What are each of your favourite media to work with and why?

Oh! That’s a tough one for me as I’ve flitted a little between embroidery and knitting over the last few years. At the moment though I would say knitting – particularly with natural wools, and at the moment I am completely in love with some Black Hills yarn. It is beautiful to knit with.


3. What does a good art day look like for each of you?

Hmmm. For me it depends what I’m working on, if I’m making a designated amount of pieces for a show, for example, a good day for me means one in which vast quantities of knitting are completed!

If I’m not working to any deadlines a good day can be something small like one sketch in which an idea is realised, and sometimes a good day is just knitting something non ‘work’ related. I was most excited by the jumper tangent I embarked on a few weeks ago. Those were good days.

4. What artists inspire you?

I admire a lot of artists to be honest – especially those who have paved a career or continue to create alongside various other jobs as I’m still trying to find my feet in that respect. Obviously all the wonderful people taking part in the show are in inspiration to me so outside of those; Kiki Smith, Rachel Denny and Jeffrey Milstein

5. What other inspirations to you each have?

Aeroplanes (how shocking!) particularly WWII aircraft, although I love living under various flight paths – I see lots of commercial airliners everyday. I love going to air shows – not just to see planes but to see the other people who watch the planes. Knitting, old knitting books, other people who knit, visiting the IWM, travel.
6. What is your vision for this exhibition?

Camilla thought it would be easier to invite others to join us, I think I may have escalated the scale of this slightly… One of the first shows Camilla invited me to exhibit in, Abracadabra was inspired by the fact that we had all initially met online. I like that this exhibition has that aspect still – a lot of the artists/designers/makers selected are people whose work I have only ever seen on the internet and the entire thing (including mine and Camilla’s own organising) has happened via email. The vision is basically to bring together a whole bunch of people whose work we love. I think the mixture of different medias is going to make this a really vibrant show! There’s a little bit of everything for everyone and hopefully it will all go off smoothly and perhaps the 52 show will become a regular occurrence!


September 28, 2009

Christine Mason Miller :: Artist interview


Last of the interviews from the participants of "A Vision of Squam" today with Christine Mason Miller. Visit her website right here at Christine Mason Miller
I truly hope you have enjoyed the posts and will stay tuned this month for some new podcasts with more artists! 
On with the finale.... 

1. What is your earliest memory of art making?

My clearest memory is of drawing Wile E. Coyote.  I had Road Runner sheets and would sit on my bed drawing the cartoons
.

 2. What is your medium of choice?

A combination of acrylic paints, pastels, paper, ephemera, glue, pen and rubber stamp alphabets.

 3. What are your greatest inspirations for your work?

Nature, memories, questions, color, texture

 4. What is playing in rotation these days while you are working?

I think this question is about what music I am playing...if I am wrong I apologize!  I actually work in silence most of the time. Music tends to distract me.

 5. What is a good art making day look like for you?

MESSY

 6. Who are your favorite artists - living and dead

Robert Rauschenberg, Joe Sorren, Mark Ryden, Sabrina Ward Harrison, Anahata Katkin

 7. Greatest advice given to you which you would like to pass along?

Don't make anything too precious - mistakes are often opportunities!



September 21, 2009

Wendy Cook :: Artist Interview


wendy cook self portrait 

I am thrilled today to share Wendy Cook's answers to my questions for the artist interviews I have been running here this month. I love her quirky photographs and was so pleased to see her participate in our Vision of Squam exhibition. Here are her pieces in the show over at our shop.  Without further delay - here are her answers and a peek into her studio space! Thank you so much Wendy!

1. What is your earliest memory of art making?

I was in second grade. I used to carry a tiny spiral note pad and draw cartoon characters and give them to kids. It was also around that time when I created my first book. I still have it, 
LOL, photos above.  I've gotten better at it....see here -  and more here

2. What is your medium of choice?

I don't like to limit myself, but I love photography and book arts.
In truth, I need to make something, anything, with my hands every day - I need this in order to live, like air.

3. What are your greatest inspirations for your work?

My son who reminds me that everything is wondrous.

4. What is playing in rotation these days while you are working?

Amy Steinberg, Rodrigo Y Gabriela, Joanna Newsom, Regina Spektor, The Accidental, Bjork

5. What is a good art making day look like for you?

Like today but even better.

6. Who are your favorite artists - living and dead?

Wayne Theibaud, Francesco Clemente, Alex Katz, David Byrne, Loretta Lux, Andy Goldsworthy, Camilla Engman, Nina Bagley, Penelope Dullaghan (many, many many)

7. Greatest advice given to you which you would like to pass along?

"See what you can make with this...."


September 08, 2009

Rita Vindedzis :: artist interview


Today we are going to have a little interview with artist Rita Vindedzis - so sit back and enjoy! 

Her work can be found currently in our gallery and also in her own shop, blog and website.
To begin Rita says this about her work at her website: 

Rita Vindedzis, a Canadian born artist, wife and devoted mother, came to realize her passion for art very early in life. The daughter of professional artists, Rita’s earliest influences began in childhood as she watched both her mother and her father bring their artistic visions to life.

Inspired by the creativity that seemed to permeate virtually every aspect of family life, Rita began to pursue her own artistic abilities through formal studies, however the true nature of her inimitable style always came naturally. Acrylic on canvas is the medium through which Rita’s landscapes come alive – a warm and inspiring combination of what she has seen, and what she would like to see in the natural world around us. 

Rita paints in her studio using photographs taken during family trips, inspirational drives and walks through the countryside. Some are created purely from memory.

Big skies and open fields, a large expanse of beach, meandering streams and grazing sheep are some of her favourite themes. Each painting is a soft-focus moment in time.

Rita’s long list of gallery exhibitions, art shows, studio shows and home shows continue to garner respect for her work throughout the artistic community, and have given her both a loyal and rapidly growing following.

Her artwork has appeared in Canadian House and Home Magazine, Style at Home Magazine, Décor Magazine, on national television programs including CityLine, Design Inc. and Designer Guys, Canadian Idol, in national television commercials for Heinz Canada, and in the Kilgour Estates model home designed by Brian Gluckstein.

Rita is presently engaged in a wide range of solo, group and gallery exhibitions and her work hangs in numerous private and corporate collections.

And now - on to the interview!
1. What is your earliest memory of art making?
It was in kindergarten. Finger painting and gluing noodles onto paper were the best!


2. What is your medium of choice?
Acrylic paints. The fact that they are so quick drying and that you can mix in other media so easily appeals to me.

3. What are your greatest inspirations for your work?
I get inspired by walks and drives in the country and the beautiful city I live in. We have lots of green spaces in Toronto and the lakeshore and beaches are great. A recent trip to New York this summer has given me tons of inspiration for a new urban series. I also get inspired by color-it's everywhere. Magazines, gallery hops, travel, and my inspiration boards inspire me as well.

4. What is playing in rotation these days while you are working?
Radiohead, Amy Winehouse, Duffy, Coldplay, Simply Red, Radio Nigel, or one of the "alternative" playlists made by my 17 year old son.

5. What is a good art making day look like for you?
After my husband leaves for his office and my son heads out for school, I'll get my workout done and grab a shower and some breakfast. Then I get right to work in my studio and paint for a few hours. I'll stop and break for lunch and sometimes a quick trip out to my local Starbucks. Then it's back to my studio and a few more hours of painting. A really good art day is when I can can get in at least 6 hours of actual painting time.

6. Who are your favorite artists - living and dead.
Edward Hopper, Andy Warhol, Turner, Monet, Georgia O'Keefe, Francis Livingston, Jeremy Mann,

7. Greatest advice given to you which you would like to pass along?
Be true to your heart, go with your gut feelings, and embrace change.

Thanks Rita for your interview and thank you again for being part of our Beautiful Nature exhibit! We hope everyone will pop in for a peek! 

November 03, 2008

Interview with:: Leigh from YES Gallery


click photo to enlarge

the lovely Leigh of YES gallery, Warren Rhode Island

It's been awhile since our last interview and this is a first with another gallery owner - so sit back, get a nice cuppa and enjoy meeting the fabulous Leigh from YES Gallery, down in Warren, RI. Oh yes, and do note that she is having a wonderful exhibition called Itty/Bitty as shown below in the photo of the postcard. I have some work included in the exhibition along with some amazing artists, for the months of November and December.

susan: Tell us a little bit about your background:
leigh: I graduated from (University of Hartford's) Hartford Art School in 1994 with a BFA, majoring in Experimental Studio (which focused on non-traditional use of media and concept-oriented art.) From there I moved to Boston and worked as a VISTA volunteer for two years, during which time I volunteered for the Revolving Museum, an amazing public arts organization (now in Lowell, MA.) I worked for them for a year or so after my VISTA stint ended, then took off on a 3 month cross country trip. Thereafter I hunkered down on Block Island (off the coast of Rhode Island) and started a job as the right hand woman to a new gallery owner (Eisenhauer Gallery.) I worked for her for seven years, the last two as Director of the gallery when the owner moved to Martha's Vineyard and opened a second location. Since college I've been an exhibiting regional artist, repped for several years by the (now defunct Mixed Media Gallery on Block Island.)

susan: What is your vision for the gallery?
leigh: My vision for the gallery is to create a vibrant, welcoming space showing visual art that can be appreciated by seasoned collectors and the average art lovers. The work is on the contemporary side, heavy on the mixed media, but not so far out there that it's inaccessible. There are both emerging and established artists involved, some never having been exhibited in galleries before, others with work hanging in museums. Being in a tax-free arts district (no sales tax on the art) is part of the overall vision to create a situation where people of all income levels can afford something. We have original work as low as $60 and as high as $4000. On top of that, 5% of our proceeds go to non-profit organization, which aligns with my belief in giving back to the community.

susan: What type of art is your favorite?
leigh: Ooooh, tough question! Let's see. I'll use an example of an artist I found recently whose work blew me away, Trey Speegle (incidentally one of our Itty/Bitty artists this month, thanks, in part, to a dorky fan letter from me!) He uses vintage paint-by-numbers paintings which he alters with text. The phrases or words he chooses can be interpreted in a literal way, or more philosophically. Either way, they have humor. And a lot of color. I'm a big fan of color. I guess the bottom line is, I like work that can make me think, laugh, and please my eyes all at the same time.

susan:What does a normal day look like around YES gallery?
leigh: A normal day at YES includes a balance of chatting with/educating the customers, working on a variety of administrative things, and planning for the upcoming events. (With every exhibit we have an opening reception and then another event which could be live music or something like a painting demo. Next month with have a "Blessing of the Artists.")

susan: What are a few of your favorite blogs?
leigh: Favorite blogs. Hmm. I'm not a huge blog reader, but I do keep up with blogs that my artists write and I look at a handful of the design blogs regularly.

susan: If you were on a desert island and could only bring one media, what you would take with you?
leigh: Good question. I'd have to bring paint. I could graffiti the palm trees and rocks, write inspirational messages to myself so I don't get bummed about being stranded.

susan: Favorite dessert?
leigh: Anything with sugar usually works, but it's a toss up between Key Lime Pie and some kind of Ben & Jerry's ice cream.

Thanks so much Leigh for being part of art esprit's artist interviews! I look forward to the show next month and getting down to Warren RI soon! Here are the particulars on the gallery:

YES Gallery + Studio
146 Water Street
Warren, RI 02885
(401) 245-7174
Open Weds & Thurs 11-5:30,
Fri & Sat 11-8:00, Sun 11-4

March 19, 2008

Ulla Milbrath - Artist Interview


I am absolutely thrilled to present Ulla Milbrath from the wonderful Ullabenulla blog today at art esprit. Ulla has been a source of daily inspiration and kindred spirit to me for the past three years. Her creativity knows no bounds. Her love of teaching and her own magnificent repertoire of beautiful work from cut paper, porcelain painting, jewelry making, to folkloric sculptures simply amaze! I highly encourage you to explore Ulla's fabulous blog - it is a trip through wonderland and each turn brings you to an absolutely fabulous visual treat. She also stocks a little Etsy shop now and again too... and for those of you in the Berkeley area - she teaches at Castle in the Air!
Thank you so much Ulla!

Susan: Tell us a little about your past as a child and influences early on.

Ulla: This could be the whole interview – LOL! I had a fabulous childhood, a true ‘Gypsy’ childhood, of world traveling, adventures, art, and alternative education. My father was a publisher, and sold his works mainly to University’s across the world. My mother had studied as an Interior Designer, but chose to spend these early years designing and painting clothing, which she sold at street fairs.

This was the early 60’s after all… I spent my first 3 years in an Airstream traversing across the states and Europe. Whenever we stopped at a campground I would take my little red tricycle out and rush to the playground, try every piece of play equipment once, and race back to the trailer – as I never knew when we’d have to leave again. To this day I have a highly developed sense of direction, and place.

My brother was born when I was four, and we stayed in California for a couple of years, but by the time I was 7, we had lived in Portugal and Denmark for extended times. Both of my parents are from Denmark, and Danish was my first language, I didn’t learn to speak English until I started Kindergarten, and subsequently I have no accent in either language. When my brother ‘flunked’ Kindergarten, my parents rebelled and took us both out of school and found a ‘Froebel’ school for us. (Something like a Waldorf school, but with little or no structure) We knew it as ‘Free School’. I remember being able to do anything I wanted to do. If I came to school and wanted to make puppets the teachers would find the materials and show me how. If I wanted to paint or make jewelry, that’s what I did. If I was tired, I could just ‘take a nap’. I rarely did that, as there were too many exciting things to create and explore! We would go into the woods and write poetry, and then self publish our poems and sell them house-to-house. We’d write plays, design and make props and costumes, or puppets and then perform for each other. When there was a nasty oil spill, the whole school gathered at a beach, and washed birds for 3 days. It was heaven! I truly think those 2 years set the foundation for who I am today.

When I was 10 my parents sold everything they owned and bought a big Moterhome and left on another traveling adventure. Joining us this time were my new sisters (twins) making 6 of us in an 18-foot long house. My ‘room’ was a 1-foot by 2-foot cabinet, and an extra space for my ‘stamp collecting books’. We traveled for two years, like this, seeing Mexico, most of the states, and all of Western Europe. I was at the perfect age to enjoy the travels and make life-long memories. My parents never formally ‘educated’ us, preferring to let experience and travel be our teachers, although we did have minor school ‘stints’ in Switzerland and Denmark. I collected postage stamps and dolls from every country we visited, giving me Geography lessons I remember to this day. My brother learned the alphabet by shooting bow and arrows into a pillow appliquéd with the ABC’s by my mother! When we finally returned, none of us skipped a beat in school. Two smaller extended trips followed this one, where all was sold and off we went. When I was 17 my parents finally decided to make Northern California our permanent home, although none of us have stopped traveling.

My Mother has always been a great inspiration for me. Although a lot of her time was taken up caring for my siblings when I was young, she always had something artistic in the works. Over the years she has excelled in sewing (both clothing and home décor), batik and fabric painting, appliqué-work and embroidery, porcelain painting and water-coloring, She is a master gourmet cook, I always had the lunches no one would trade for, with ‘tongue sandwiches’, goose pate, and pigs knuckle’s being favorites… When my father retired a decade ago, he taught himself how to watercolor and my parents now travel the world painting together! A year ago they added Sculpture and Mosaic creating to their repertoire!

I was always a bit of an ‘odd duck’ at school, shy and into art. I hung out with the ‘French Club’ and ‘Art Geeks’. I couldn’t wait to graduate! In collage I double majored in Art History and Economics. Two years later I got another degree in Textile Design. Although I worked all the way through high school and College, mostly for my father’s publishing firm, I’ve been self-employed since I was 24, and teaching since I was about 30.

Susan: How did you come around to blogging?

Ulla: Somewhere around 2003 I discovered blogs. I had just been let go as a high school Art Teacher by our dear Governor, along with 300 other California high school art teachers and was looking all over the net for inspiration and information on other artists. I loved how personal blogs where, and how easy it was to share and learn and chat online. At some point I discovered L.K. Ludwig’s blog, and fell in love with her look and style, and how she mixed life, family and art together. My blog was designed with her blog very much in mind. I had also recently begun teaching at ‘Castle In The Air’ and wanted a forum to share my ideas, and inspiration with my students. ‘Once a teacher, always a teacher!’ A few months after I began blogging my husband had 2 strokes, which really threw me for a mental loop, and blogging truly saved me! I’ve always fought with Depression, and Black Moods, but facing the possibility of being a widow was a real test for me. Suddenly I had a whole world of friends to chat with and share my life with. Fortunately my husband has completely healed and my blogging family has grown leaps and bounds!

ulla's backyard labyrinth!

Susan: What sort of things inspires you most?

Ulla: Off the top of my head, I’d have to say Fairy-tales and Folklore. I’ve always been a ‘dreamer’ and often step into fairy-tale like stories in my head, when I need a distraction… I adore looking at children’s book illustrations, and have quite a collection of old and new books that I refer to often. Being a super-visual person, I am always searching for new and wonderful images. I am also a magazine junkie, and can spend a couple hundred dollars a month on foreign magazines. I keep extensive ‘journals’ filled with all my favorite found images for future inspiration. Shopping trips, or as I call them ‘Go see-em’s’, are also great for inspiration. I don’t usually buy much, just soak up what’s new and exciting and store it away for future reference. I love working in Berkeley for this reason alone – it’s really a hub for the hip, artistic and young. Museums and galleries also inspire me. I read a lot too. I’m one of those people who has 26 different books going at one time…. And they are all next to my bed! All kinds of books, from ‘how to’s’ to biographies; cheap romance books on vampires and pirates to tomes on style and fashion, you name it, I probably have something on it in my library…

some of Ulla's jewelry from her etsy shop!

Susan:What are your favorite mediums to work with, and has this changed?

Ulla: Since ‘Castle In The Air’ sells mostly paper goods and gifts, I primarily teach paper oriented projects or things that use paper in one way or another, like my soldered jewelry. However, I think my favorite mediums are paper clay and textiles. I’ve always loved dolls and miniatures, and spent a number of years making and selling dolls of various kinds at fairs and festivals before I began teaching. I used to sew all my own clothing in high school, and still like to pull out the machine and just ‘make something’! Ironically when I first became self-employed, I was making jewelry out of ‘shrinky-dink’! At one point, I was doing 18 shows a year, with 5 employees and 100’s of account’s all over the states, but wasn’t real happy. My need to make dolls coincided with wanting to play with fabrics again and my struggle with infertility – I was litterly surrounding myself with lots and lots of ‘babies’! These early dolls were all cloth dolls, mostly ‘teapot’ dolls and animals. It wasn’t until my daughter was born that I was able to sculpt ‘human’ headed dolls. Today I try to divide my time between designing new ‘paper’ projects to teach, and creating textile art just for my own pleasure. Very recently I have begun to explore porcelain painting, an art handed down to me by my Mother. Although I always seem to be thinking ‘how can I teach this’ in my head, I am keeping porcelain painting as my own craft for a while longer.

One of the crowns Ulla designed and made featured in the Crowns book.

Susan: Please tell us about your studio space.

The number one reason we bought our house is because it had an extended garage that could be converted into a studio for me! It was the first room finished (lovingly renovated by my Husband) when we moved in and I haven’t left since. Truth be told, I could use another full floor on top, as I have completely run out of space, but that’s a whole other story! My studio faces our garden, with French doors. I have a large 4’ by 8’ table in the center, which never seems to get clean, and bookshelves on 3 walls. The two long walls have low tables that I’ve made into ‘work stations’, one for sewing, one for the computer and printers, one for porcelain painting or jewelry work, and one for my daughter! The center table holds everything else. (I warn people not to look in the garage – LOL!) All my chairs have wheels on them, so I can spin around from station to station depending on what projects I have in progress. I tend to always be working on ten things at once. I wish I were the kind of person who could focus on just one thing at a time and finish that one thing before going to the next, but I’m not. My niche is being good at a lot of different things, and they all kind of feed on each other… I like to have pretty things around me when I create, and keep favorite artwork, my dollhouse, and other collections within easy sight. It may not look organized but ‘I’ know where everything is – usually…
Susan: What does your perfect sort of day look like for creating?

Ulla: Great question! I wish everyday were perfect, but life seems to get in the way… First I would want warmth, if not sunshine, then a pre-heated studio. I have a hard time creating if I am cold. I usually have breakfast in front of the computer checking up on my blog, emails and posting. This can take hours if I let it, so I have to be careful. I love to start projects right after breakfast, non-carpool days being my favorite! Good music is important. I generally start with classical and then switch to something more energetic as the day progresses. I like to light a candle and just sit for a few minutes when I enter my studio. This gives me a chance to look around, and decide where I want to begin. An interruption free morning with quiet is my favorite kind of day. I love to go out to lunch with friends, and walk the dog, be with my daughter etc. in the afternoon. When I am really hot on a project I will often work in the studio right up till dinner.

I am always amazed when people call me prolific. I don’t see myself this way. I realize now that I tend to create in spurts, making a lot in a small amount of time. Most of my days are not very productive, being spent compiling ideas, designing, or just playing with materials. My best art comes in clusters, and often when I least expect it. Over the years I have created a huge variety of work, which I guess one could call prolific, but I see it more as a life in progress…

Thank you Ulla again for sharing your creative life with us!